Items where Division is "Musicology" and Year is 2014

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Adlington, R. and Johnson, J. (2014) Editorial: twentieth-century music – ten years on. Twentieth-Century Music, 11 (1) pp. 3-5. ISSN 1478-5722 (print) 1478-5730 (online)

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Guillaumier, C. (2014) Review of 'Composing for the red screen: Prokofiev and Soviet film' by Kevin Bartig. Slavic and East European Journal, 58 (2) pp. 357-359. ISSN 0037-6752

Guillaumier, C. (2014) Review of 'Contemplating Shostakovich: life, music and film' edited by Alexander Ivashkin and Andrew Kirkman. Slavic and East European Journal, 58 (1) pp. 177-179. ISSN 0037-6752

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Hamilton, K. and Loges, N. (2014) Brahms in the home: an introduction. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 1-22. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

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Kawabata, M. (2014) How Gilles Apap's new cadenza illuminates Mozart, via Bakhtin. ECHO: A Music-Centered Journal, 12 (1) ISSN 1535-1807 (online)

Kawabata, M. (2014) The aura of Stradivari's violins. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12 (23) pp. 61-74. ISSN 1722-3954 (print) 2421-6933 (online)

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Lawson, C. (2014) Book review: "The Notation Is Not the Music: Reflections on Early Music Practice and Performance" by Barthold Kuijken. Performance Practice Review, 18 (1) ISSN 2166-8205

Loges, N. (2014) Review of 'Brahms beyond mastery: his Sarabande and Gavotte, and its recompositions' by Robert Pascall (Routledge, 2013). Ad Parnassum, 12 (23)

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

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Meyn, N. (2014) Singing a song in a foreign land: a celebration of music by émigré composers. In: Symposium, 21-23 February 2014, Royal College of Music, London. (Unpublished)

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Paskins, H. and Hamilton, K. and Loges, N. (2014) Brahms and his arrangers. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 178-220. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Pearson, I. E. (2014) Research degrees in the conservatoire context: reconciling practice and theory. In: Research and Research Education in Music Performance and Pedagogy. Landscapes: the Arts, Aesthetics, and Education, 11 . Springer, Switzerland, pp. 65-76. ISBN 9789400774353

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Roper, J. (2014) Performing Ligeti’s Violin Concerto: a work for the present day. In: György Ligeti and the Future of Maverick Modernity Conference, 14-15 July 2014, Maccagno, Italy. (Unpublished)

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Smith, R. L. (2014) Bizet: Carmen. Edition Peters, Leipzig. ISBN 9790577003757

Smith, R. L. (2014) 'Lost expression': the curse of the urtext. In: Public seminar, 4 November 2014, Birmingham Conservatoire. (Unpublished)

Smith, R. L. (2014) Style, performance practice, and reception in the Prelude, chorale and fugue: placing and performing César Franck. In: Perspectives on the Performance of French Piano Music. Routledge, Abingdon, pp. 105-123. ISBN 9781409400646 (hardback) 9781138269699 (paperback) 9781315600239 (e-book)

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Thormählen, W. (2014) Lamenting at the piano: domestic music-making and well-being in eighteenth-century Britain. Göttingen Händel-Beiträge, 15 pp. 144-160. ISSN 0177-7319 (print) 2197-330X (online)

Thormählen, W. (2014) Physical distortion, emotion and subjectivity: musical virtuosity and body anxiety. In: Music and the Nerves, 1700 – 1900. Palgrave Macmillan, Houndmills, Basingstoke, UK, pp. 191-217. ISBN 978-1-137-33950-8

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Wright, D. C. H. (2014) Book review: 'Music and performance culture in nineteenth-century Britain: essays in honour of Nicholas Temperley' by Bennett Zon; 'Music and theology in nineteenth-century Britain' by Martin V. Clarke. Victorian Studies, 57 (1) pp. 173-176. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2014) Covalent bond: review of 'Sir George Dyson: his life and music' by Paul Spicer. The Musical Times, 155 (1929) pp. 91-97. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) 'Middle-classing' the music profession in Victorian Britain. Journal of the Royal College of Organists, 8 pp. 31-39. ISSN 0969-1642