Items where Division is "Musicology" and Year is 2016

Article

Adlington, R. (2016) Whose voices? The fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1) pp. 179-236. ISSN 0003-0139 (print) 1547-3848 (online)

Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue Belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, 70 pp. 65-76. ISSN 0771-6788

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2) pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2016) A Tudor manuscript granting livery to the King’s ‘Shakbots’. Historic Brass Society Journal, 28 pp. 191-198. ISSN 1045-4616 (print) 1943-5215 (online)

Loges, N. (2016) Review of 'Brahms among friends: listening, performance and the rhetoric of allusion' by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2) pp. 316-320. ISSN 1479-4098 (print), 2044-8414 (online)

Smith, R. L. (2016) Book review: 'Bizet' by Hugh Macdonald. Notes: Quarterly Journal of the Music Library Association, 73 (1) pp. 98-100. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (2016) Book review: 'Erik Satie: a Parisian composer and his world' by Caroline Potter. H-France Review, 16 (210) ISSN 1553-9172

Smith, R. L. (2016) Book review: 'The Cambridge companion to French music' edited by Simon Trezise. H-France Review, 16 (68) ISSN 1553-9172

Stirling, C. (2016) ‘Beyond the dance floor’? Gendered publics and creative practices in electronic dance music. Contemporary Music Review, 35 (1) pp. 130-149. ISSN 0749-4467 (print) 1477-2256 (online)

Stirling, C. (2016) Sound art/street life: tracing the social and political effects of sound installations in London. Journal of Sonic Studies, 11 ISSN 2212–6252

Whitfield, S. K. (2016) ‘Next you’re Franklin Shepard Inc.?’: Composing the Broadway musical, a study of Kurt Weill’s working practices. Studies in Musical Theatre, 10 (2) pp. 163-176. ISSN 1750-3159 (print) 1750-3167 (online)

Book Section

Adlington, R. (2016) The crises of sense: listening to Berio’s Un re in ascolto. In: Le Théâtre Musical de Luciano Berio. L'Harmattan, Paris, pp. 53-78. ISBN 9782336303871

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: une amitie professionelle. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Loges, N. and Hamilton, K. (2016) Singer-songwriters of the German Lied. In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 21-42. ISBN 9781107063648 (hardback) 9781107680913 (paperback) 9781316496664 (e-book)

Wistreich, R. and Richards, J. (2016) The anatomy of the Renaissance voice. In: The Edinburgh Companion to the Critical Medical Humanities. Edinburgh University Press, Edinburgh, pp. 276-293. ISBN 9781474400046 (hardback) 9781474414555 (e-book)

Wright, D. C. H. (2016) Novello, John Stainer and commercial opportunities in the nineteenth-century British amateur music market. In: The Idea of Art Music in a Commercial World, 1800-1930. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783270651

Conference or Workshop Item

Wistreich, R. (2016) Reconstructing historical singing: reality or fantasy? In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Edited book

Belina, A. and Scott, D. B., eds. (2016) The business of opera. Ashgate Interdisciplinary Studies in Opera . Routledge, Abingdon. ISBN 9781472429452 (hardback) 9781315614267 (e-book)

Thesis

Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.

Thompson, T. D. (2016) The vocality of Sibyl Sanderson in Massenet’s Manon and Esclarmonde. Doctoral thesis, Royal College of Music.

Broadcast

Guillaumier, C. (2016) Stalin's music prize (Music Matters, BBC Radio 3). [Broadcast]

Hewett, I. (2016) The essay: Brian Eno's Music for Airports. [Broadcast]