Items where Year is 1999

Adlington, R. (1999) The music of Rebecca Saunders: into the sensuous world. The Musical Times, 140 (1868) pp. 48-56. ISSN 0027-4666 (print) 2397-5318 (online)

Cole, J. (1999) Cracked whispers. [Composition] (Unpublished)

Cole, J. (1999) Ouroboros I. [Composition]

Cole, J. (1999) Ouroboros II. [Composition]

Cole, J. (1999) Totem. [Composition]

Cole, J. (1999) Trapdoor. [Composition]

Herbert, T. (1999) Farmer's contribution to the study of military music. In: Henry George Farmer: A Bibliography. Glasgow University Library Studies . Glasgow University Library, Glasgow. ISBN 978-0852616901

Herbert, T. (1999) Review of 'The civic muse: music and musicians in Siena during the Middle Ages and the Renaissance' by Frank A. D'Accone. Historic Brass Society Journal, 11 pp. 195-196. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1999) The practice and context of a private Victorian brass band. In: Nineteenth-Century British Music Studies. Music in Nineteenth-Century Britain, 1 . Ashgate, Farnham, Surrey, pp. 105-118. ISBN 9780367146221 (hardback) 9780429052774 (e-book)

Herbert, T. and Nussbaum, J. (1999) Public defender number one for the serpent: an interview with Douglas Yeo. Historic Brass Society Newsletter, 12 pp. 13-17. ISSN 1045-4594

Hesketh, K. (1999) Danceries (set I) [version for symphonic wind band]. [Composition]

Hesketh, K. (1999) The circling canopy of night. [Composition]

Hewett, I. (1999) Absent father (review article). The Musical Times, 140 (1868) pp. 63-65. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1999) Mistaken identity (guest editorial). The Musical Times, 140 (1866) pp. 2-3. ISSN 0027-4666 (print) 2397-5318 (online)

Holt, S. (1999) Sunrise' yellow noise. [Composition]

Kittos, H. (1999) Avarice. [Composition] (Unpublished)

Kittos, H. (1999) First tomb of Ionia. [Composition] (Unpublished)

Kittos, H. (1999) Penthesileia. [Composition] (Unpublished)

Kittos, H. (1999) Second tomb of Ionia. [Composition] (Unpublished)

Kittos, H. (1999) Sistina. [Composition] (Unpublished)

Lawson, C. and Stowell, R. (1999) The historical performance of music: an introduction. Cambridge Handbooks to the Historical Performance of Music . Cambridge University Press, Cambridge. ISBN 9780521621939 (hardback) 9780521627382 (paperback) 9780511481710 (e-book)

Pearson, I. E. (1999) 'Interest, individuality and an endless pleasantness': the chalumeau in 18th-century Vienna. The Clarinet, 26 (3) pp. 56-59. ISSN 0361-5553

Pearson, I. E. (1999) 'Verfolgt vom Klang der Klarinette seines Vaters': Über Blatt-Position, Ferruccio Busoni und die Klarinette im Italien des 19. Jahrhunderts ['Pursued by the sound of his father's clarinet': on reed position, Ferruccio Busoni, and the clarinet in 19th-century Italy]. Tibia: Magazin für Holzbläser, 24 (4) pp. 605-611. ISSN 0176-6511

Pearson, I. E. (1999) The reed-above embouchure: fact or fallacy? Australian Clarinet and Saxophone, 2 (2) pp. 8-13.

Rossi Rognoni, G. (1999) Il Conservatorio e gli strumenti innovati di Rampone e Orsi [The Conservatorio and the innovative instruments of Rampone and Orsi]. In: Milano musicale: 1861-1897. Libreria Musicale Italiana, Lucca, pp. 373-391. ISBN 9788870962390

Smith, R. L. (1999) Debussy on performance: sound and unsound ideals. In: Debussy in Performance. Yale University Press, New Haven, pp. 3-27. ISBN 0300076266 (hardback)

Solomon, A. (1999) Telemann: Paris Quartets. [Audio]

Turnage, M.-A. (1999) About time. [Composition]

Turnage, M.-A. (1999) True life stories. [Composition]

Turnage, M.-A. (1999) An invention on 'Solitude' [1998, rev. 1999]. [Composition]

Turnage, M.-A. (1999) The silver tassie. [Composition]

Williamon, A. (1999) The value of performing from memory. Psychology of Music, 27 (1) pp. 84-95. ISSN 0305-7356 (print) 1741-3087 (online)